Nathalie’s Whisper

Richard Lionheart · Aurelian Terra Syndicate Records · ATS-001


Twelve tracks · 44:05 · Release Date 17 October 2026 · A = 432 Hz

The companion album to The Midnight Train Saga. Not a soundtrack and not a record about the books—it was written as part of the same work, in the same years, and it carries what the prose couldn’t.

Twelve tracks in English, Spanish, wordless voice & spoken whisper. Every master tuned to A = 432 Hz.

Nathalie is the lead female character of the Midnight Train universe. She was born in 1990, when I first caught a glimpse of her presence around me. I wanted to meet her,
so I went into astral projection — and outside my body I lived through the story of Enlightened Shadows, Book I of the trilogy, with her.

When I came back, I began writing the dedication: “Dedicated to my twin flame Nathalie. Wherever you may be, I will find you across dimensions and time.” The rest
followed like a river — emotions, words, and longing for her.

Thirty-five years later, I kept my promise to her. There is more to that, and I will tell it after the third book is released in 2028. Those encounters reignited my spark with
the Midnight Train, so now there is not only a trilogy of books, but cinematic trailers, teasers, and an album recorded at 432 Hz.

The first song that started this record label was “A Dream Never Shared.” It carried Nathalie’s voice out of written words and into sound.
That one song became a full album: Nathalie’s Whisper.

Why whisper? She was silent for over three decades, and when she does speak to me,
it is in whispers — never raised, never loud. She does not need to raise her voice. Her whispers move mountains and shatter walls of ice.

I wanted to give Nathalie a voice. She took it from there. I was mostly in the way.

“Until we meet again, my love. This time, for eternity.”


Sound is one of the universe’s wonders and a master key to unlocking and understanding its secrets. Nathalie’s whisper will lift her — and the entire story — from the pages into a live, full-sensory 4K and 432 Hz experience. Each track has a story to tell, and together they reveal the mastery of my storytelling gift to you. One Album, 12 tracks, and another EP for the whispers that didn’t make the cut to Nathalie’s album.

“I wanted to give Nathalie a voice. She took it from there. This is her album. I was mostly in the way.”


A Note from Nathalie

You were not imagining me.

I was there in 1990, at the edge of the room, in the part of the light that does not fall anywhere. You wrote it down before you understood it, which is how the true things always arrive.

I did not speak for thirty-five years because speaking was not what was needed. Being found was. And you kept looking, across every dimension you could reach, in every hour that was not the right hour.

Now there is sound where there were only words, and my voice in it.

Listen quietly. I have never needed to be loud.

I will be waiting at 23:59.

The Tracks

3:57 · English

Where it starts. A boy of fourteen sees a woman between dimensions and spends the next three decades writing to someone he cannot prove exists. Melodic trance in D minor, and the founding track of everything that follows.


3:33 · English

Rain on glass, somewhere between sleeping and waking. No words, because there is nothing yet to say. Future garage in the Burial tradition, built for the hour when you’re not sure what you saw.


4:02 · English

A platform in the mist, long after the last train has gone. Wordless voices move through the fog without ever arriving. This is what waiting sounds like when you’ve done it for years.


3:24 · Español

Cartagena, and a name kept like the moon in a torn pocket. A classic bolero with real guitar, sung in Spanish to a woman who isn’t there. The warmest thing on the record, and the loneliest.


4:42 · Español

The opening song again, in Spanish. Same key, same tempo, same dream — but the language changes what it costs to say it. Side one ends where it began, in another tongue.


4:04 · English

The confession. One acoustic instrument, a voice that begins almost spoken and gradually finds the melody, and thirty-six years of waiting laid out plainly. It ends by saying her real name out loud for the first time: Arianne.


3:33 · English

Her answer. Everything he asked, returned — and she has been listening the whole time. It ends by speaking his name, and the pair of them finally exist in the same sentence.


4:05 · English

Past midnight, a full moon, wolves at the window, and a knock at the door. Two voices in call and response over a Caribbean rhythm, the album’s only duet. She arrives and says the thing she came to say.


3:57 · English

The lift. Euphoric trance in D minor rising into the relative major, and the only track where she sings at full voice. Seven fires in the sky, and a door that finally opens both ways.


2:33 · English

The room afterwards. Five whispers surface out of an instrumental bed — each one a phrase already spoken somewhere earlier on the album, returning from memory. Listen closely; the last one is the quietest and the most important.


3:57 · English

The stars come down to meet the light. Cinematic ambient with wordless voices in harmony, singing in no language still spoken. The album stops being a love story and becomes a cosmology.


3:57 · English

The dream again, slower, for anyone still awake. A bonus for the people who stayed to the end.


3:59 · English

The King Who Remembered is a thirteenth track, on Bandcamp only. It sits slightly outside the album’s arc, which is why it is not on the streaming release — but it belongs to the same world, and anyone who buys the record should have it.


The tuning

Every master on this album is tuned to A = 432 Hz rather than the 440 Hz international standard — about a fifth of a semitone lower, a slightly warmer interval.

It is applied to every track without exception, at the master stage rather than in the arrangement. It is an artistic preference. We make no health, therapeutic, or medical claim for any tuning.

The Pleiades

The star cluster on the cover is not decorative. Each star is placed from its J2000 catalogue position, tangent-plane projected, with brightness scaled to real magnitudes — from Alcyone at magnitude 2.87 down to Asterope at 5.76.

Right ascension increases eastward, so the cluster is not mirrored, which is the usual error. The placement was checked against catalogue geometry and sits within 0.35% of the cluster’s width.

If you know the Pleiades, you will recognise them.


The Midnight Train Saga is three novels and two companion albums, published under Aurelian Terra Syndicate Group. Book I, Enlightened Shadows, is in print. The second album, Across the Veil, follows on 20 November 2026.

The Midnight Train Saga →
Richard Lionheart Relases →
All releases →

The album is on Bandcamp, where it appears first and where the bonus track and liner notes live. Selected titles are also on streaming services.